Collection of Fonts
9 Mb
or
12 Mbor
or
Showing posts with label fonts. Show all posts
Showing posts with label fonts. Show all posts
10/04/2007
10/03/2007
9/28/2007
TOP40 MyFonts.com collection
40 fonts series
540 TTF
17,6 Mb
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540 TTF
17,6 Mb
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01. Adobe-Garamond
02. Avenir
03. Bank-Gothic
04. Boycott
05. Carpenter
06. Cezanne-Regular
07. Chato-Band
08. Engravers-Gothic
09. Eurostile
10. Frutiger
11. Futura
12. Gill-Sans
13. Grilled-Cheese-Btn
14. Helvetica
15. Interstate
16. Itc-Avant-Garde-Gothic
17. Itc-Franklin-Gothic
18. Lamar-Pen
19. Lassigue-Dmato
20. Machia
21. Mrs-Eaves
22. Myriad
23. Nat-Vignette
24. Neue-Helvetica
25. Optima
26. P22-Corinthia
27. P22-Zaner.Jpg
28. Passions-Conflict
29. Satisfaction
30. Shelley-Script
31. Sloop
32. Swan-Song
33. Swiss-721
34. The-Nauti-Gal
35. Trade-Gothic
36. Trajan
37. Univers
38. Water-Brush
39. Yevida
40. Zapfino
password: fontslab.blogspot.com
9/26/2007
BitFontCreator Pro v2.1
BitFontCreator is a professional bitmap font maker tool. Fonts created with BitFontCreator can be used on Windows, mobile operating systems such as Windows Mobile, Windows CE, Palm OS, Symbian OS and other electronic devices.
Size: 1.5MB
Key Features:
* Import fonts: Support all kinds of fonts installed on your Windows PC (TrueType, OpenType, Adobe Type 1 and Raster fonts)
* Export fonts: Export Windows font resource (*.fnt) and Windows bitmap font (*.fon)
* Export C file: The C file includes jump tables and bitmap data of all characters
* Export Binary file: The binary file includes the bitmap data of all characters in binary format.
* Support all kinds of bitmap data formats
* Support ASCII and Unicode encoding
* Support 4/8/16/32-bits data length
* Edit Tools: Pencil, eraser, line, rectangle, and marquee selection
* Export fonts: Export Windows font resource (*.fnt) and Windows bitmap font (*.fon)
* Export C file: The C file includes jump tables and bitmap data of all characters
* Export Binary file: The binary file includes the bitmap data of all characters in binary format.
* Support all kinds of bitmap data formats
* Support ASCII and Unicode encoding
* Support 4/8/16/32-bits data length
* Edit Tools: Pencil, eraser, line, rectangle, and marquee selection
9/15/2007
9/12/2007
Parachute Fonts
Five Parachute fonts:
Parachute Amateur WinAll Commercial Font-TYPO
Parachute Fuel Pro WinAll Commercial Font-TYPO
Parachute Handbook Pro WinAll.Commercial Font-TYPO
Parachute Isotext Pro WinAll Commercial Font-TYPO
Parachute Monumenta Pro WinAll Commercial Font-TYPO
================
Size: 3.2MB
9/08/2007
6/09/2007
Dutch Type Library Fonts Collection
In 1990, DTL started supplying digital typefaces after years of preparation. The company has since grown into the largest of its kind in The Netherlands. Attention is focused primarily on contemporary designs in the production of typefaces, but DTL also revives valuable historic types. The Dutch Type Library feels bound to the rich typographic tradition of The Netherlands, and DTL's collection can be compared with the best that the famous type foundries have produced in the past.
Size: 3.63 Mb
Size: 3.63 Mb
6/04/2007
Neue Helvetica Pro Fonts Collection
Neue Helvetica Pro Fonts Collection 51 fonts OTF 6.7MBHelvetica™ is one of the most famous and popular typefaces in the world. It
lends an air of lucid efficiency to any typographic message with its clean,
no-nonsense shapes. The original typeface was called Haas Grotesk, and was
designed in 1957 by Max Miedinger for the Haas’sche Schriftgiesserei (Haas Type
Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an
adaptation of "Helvetia", the Latin name for Switzerland). Over the years, the
Helvetica family was expanded to include many different weights, but these were
not as well coordinated with each other as they might have been. In 1983, D.
Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it
into a cohesive font family. Today, the original Helvetica family consists of 34
different font weights, and the Neue Helvetica family consists of 51 font
weights.
5/19/2007
Bionic Systems Fonts
Size: 0.9MB A creative studio for media-crossing graphic design, founded in 1999 in Düsseldorf, Germany by Doris Fürst and Malte Haust.
Their core competence is the conception and development of artistic websites, animations, corporate identities and print projects for the entertainment, sports and music industry. Their most recent projects include work for clients such as Nike, Mitsubishi, Puma, PRCSN, Neuton, One Industries, Red Bull, and Daimler Chrysler.
Archive contains:
- Bionic.Systems.Interfacer.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Neo.Tokio.WinAll.Commercial.Font-TYPO
- Bionic.Systems.SynKro.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.IT.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.Station.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.Storm.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.Unit.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.WinAll.Commercial.Font-TYPO
Fountain Fonts Collection
Fountain Fonts Collection 21 FONTS 3.8MBThis set contains:
- Fountain.Anarko.WinAll.Commercial.Font-TYPO
- Fountain.Capricorn.38.WinAll.Commercial.Font-TYPO
- Fountain.Dang.WinAll.Commercial.Font-TYPO
- Fountain.Delay.WinAll.Commercial.Font-TYPO
- Fountain.Eric.Sans.WinALL.Commercial.FontSet-SCRiPT
- Fountain.Filt.WinALL.Commercial.FontSet-SCRiPT
- Fountain.Gas.WinAll.Commercial.Font-TYPO
- Fountain.Hybrid.MAC.Commercial.Font-SERiF
- Fountain.Hybrid.WinALL.Commercial.Font-SERiF
- Fountain.Ketchupa.WinAll.Commercial.Font-TYPO
- Fountain.Lisboa.Complete.WinAll.Commercial.Font-TYPO
- Fountain.Malmo.Sans.WinALL.Commercial.FontSet-SCRiPT
- Fountain.Mini.WinAll.Commercial.Font-TYPO
- Fountain.Monolith.WinAll.Commercial.Font-TYPO
- Fountain.Monteverdi.WinAll.Commercial.Font-TYPO
- Fountain.Mustardo.WinAll.Commercial.Font-TYPO
- Fountain.Ness.WinAll.Commercial.Font-TYPO
- Fountain.Sadness.WinAll.Commercial.Font-TYPO
- Fountain.Schlager.WinAll.Commercial.Font-TYPO
- Fountain.Ultura.WinAll.Commercial.Font-TYPO
- Fountain.Zanzibar.WinAll.Commercial.Font-TYPO
OurType Fonts Collection
This set contains
OurType.Arnhem.1.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.2.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.3.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.4.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.5.WinALL.Commercial.FontSet-SCRiPT
OurType.Sansa.Family.WinALL.Commercial.FontSet-SCRiPT
==============
Download from RapidShare
Download from Depositfiles
Size: 1.3MB
Product homepage
OurType.Arnhem.1.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.2.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.3.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.4.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.5.WinALL.Commercial.FontSet-SCRiPT
OurType.Sansa.Family.WinALL.Commercial.FontSet-SCRiPT
==============
Download from RapidShare
Download from Depositfiles
Size: 1.3MB
Product homepage
1/30/2007
DSType Volupia WinALL Commercial FontSet
"I started designing Volupia in 2004 and the main goal was to create a very casual font with some characteristics than we can find in some old commercial advertisements.
After designing the basic character set I decided to go OpenType because it would allow me to go deep into the script, correcting the balance of the spaces and the kerning, along with the possibility to create Ligatures and Swashes.
The result is a typeface ideal for use in very big sizes. Volupia includes Small Caps, Ligatures, Fractions, CE Characters, Swashes and Alternates. The ligatures and the ending swashes allow the user to make the text more calligraphic and personal." -Dino dos Santos (2005)
DownloadAfter designing the basic character set I decided to go OpenType because it would allow me to go deep into the script, correcting the balance of the spaces and the kerning, along with the possibility to create Ligatures and Swashes.
The result is a typeface ideal for use in very big sizes. Volupia includes Small Caps, Ligatures, Fractions, CE Characters, Swashes and Alternates. The ligatures and the ending swashes allow the user to make the text more calligraphic and personal." -Dino dos Santos (2005)
Priva Pro is available in four styles with italics. It includes Greek and Cyrillic characters, along with small caps, ligatures, alternates and swashes.
DownloadCalligraphy by Alf Becker
"Buffet Script" is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time.
The series of nameless alphabets created by Becker and published by Sign of the Times magazine in 1941 have attracted typeface digitizers for years. It's a wonder that several of these alphabets are still undigitized.
The series of nameless alphabets created by Becker and published by Sign of the Times magazine in 1941 have attracted typeface digitizers for years. It's a wonder that several of these alphabets are still undigitized.
It's also understandable that the basis for "Buffet Script" was not attempted in digital form until now. The page presenting the original Becker alphabet shows a jumble of letters running into each other, swashes intertwined. There is a massive amount of work involved in digitizing such lettering and scanning is not an option. If anyone was going to attempt this particular alphabet, it would have to be redrawn stroke by stroke, and curve by curve.
The challenge was not the main attraction. In a way, the Becker approach to lettering is so far and away from digital that you are forced to work out the possibilities and letter combinations on your own. Part of the process is solving problems presented by the scant typographic showings. However, after a few imaginative visualizations, the digital potential becomes clear in the mind. The eye and hand follow.
The end result with "Buffet Script" is an enormous font with a lot of alternates and ligatures. The end result particularly shines because it includes some of the most fascinating, flowing calligraphy ever seen. Calligraphy is where all of the extra touches - such as alternates, swashes, and ligatures - raises the typeface to a higher aesthetic level.
The OpenType programming for "Buffet Script" contains discretionary ligatures, stylistic and contextual alternates, all interacting with each other to allow the composition of just the typographic look and feel. This font is best used where lush elegance is a design requirement.
The challenge was not the main attraction. In a way, the Becker approach to lettering is so far and away from digital that you are forced to work out the possibilities and letter combinations on your own. Part of the process is solving problems presented by the scant typographic showings. However, after a few imaginative visualizations, the digital potential becomes clear in the mind. The eye and hand follow.
The end result with "Buffet Script" is an enormous font with a lot of alternates and ligatures. The end result particularly shines because it includes some of the most fascinating, flowing calligraphy ever seen. Calligraphy is where all of the extra touches - such as alternates, swashes, and ligatures - raises the typeface to a higher aesthetic level.
The OpenType programming for "Buffet Script" contains discretionary ligatures, stylistic and contextual alternates, all interacting with each other to allow the composition of just the typographic look and feel. This font is best used where lush elegance is a design requirement.
About the Designer
Alejandro Paul teaches graphic design and typography at the Universidad de Buenos Aires. He has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone, and Movicom. He has walked away with awards from several design competitions and is also a typeface designer for T26. He is one of the founders of the Sudtipos project, the first Argentinean type foundry collective.
Download / Mirror1/24/2007
Fonts of The Logos of Web 2.0
List of the fonts that you get:
- VAG Rundschrift and Light (no light. sorry)
- Frankfurter Medium or Bryant Bold Alt
- Arial Rounded Bold and Bell Gothic Black
- Helvetica Rounded Bold
- FF Cocon Bold
- ITC Ronda
- avernus
- Digital Sans Medium
- Base 9 Regular SC
- ITC Bauhaus Medium
- FF Dot Matrix Two Regular (not sure if two is there)
- Neo Sans Medium
- Handel Gothic Bold
- Agency Bold
- Trade Gothic Bold
- FF Meta Bold and Book
- FF DIN Medium
- Frutiger Bold
- Frutiger Black
- Avenir Book and Medium
- Avenir Heavy
- Helvetica Bold
- Interstate Black
- Interstate Regular
- Alternate Gothic No. Two
- ITC Officina Bold
- Syntax Bold
- Hoefler Text
- Lisboa Sans
- Klavika
- Proxima Nova
1/15/2007
Typodermic Commercial Fonts from Ray Larabie
Although Ray became an internet star making fonts to give away, he now makes some of the most imaginative and technically powerful fonts in the business at his Typodermic foundry. His fonts Owned, Sinzano, Barrista, Amienne, Soap and Boopee make super use of OpenType. These and dozens of others show Ray has a handle on just about every genre going.
Download / Mirror
434 Letraset Fonts
Letraset was formed to exploit the invention of transfer sheet lettering in 1959.
Letraset always ran an adventurous letter design program and from 1964 under the leadership of design director Colin Brignall, built a distinctive library of display typefaces.
The rise of the Apple Macintosh and the wide availability of digital fonts brought about the inevitable decline of transfer lettering. Letraset quickly converted the best of its library into digital format and continues to this day to develop typefaces under the Fontek brand.
Acquired by the Swedish Office Supplies Group Esselte A.B. in 1981 Letraset was subsequently divested to the company’s management team in June 2001.
Today, under the tagline Creative Opportunities, Letraset provides a broad range of digital and traditional design products meeting both professional and non-professional requirements.
Letraset always ran an adventurous letter design program and from 1964 under the leadership of design director Colin Brignall, built a distinctive library of display typefaces.
The rise of the Apple Macintosh and the wide availability of digital fonts brought about the inevitable decline of transfer lettering. Letraset quickly converted the best of its library into digital format and continues to this day to develop typefaces under the Fontek brand.
Acquired by the Swedish Office Supplies Group Esselte A.B. in 1981 Letraset was subsequently divested to the company’s management team in June 2001.
Today, under the tagline Creative Opportunities, Letraset provides a broad range of digital and traditional design products meeting both professional and non-professional requirements.
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