Frank Missant "Cantico delle creature"
5/21/2007
5/19/2007
Bionic Systems Fonts
Size: 0.9MB A creative studio for media-crossing graphic design, founded in 1999 in Düsseldorf, Germany by Doris Fürst and Malte Haust.
Their core competence is the conception and development of artistic websites, animations, corporate identities and print projects for the entertainment, sports and music industry. Their most recent projects include work for clients such as Nike, Mitsubishi, Puma, PRCSN, Neuton, One Industries, Red Bull, and Daimler Chrysler.
Archive contains:
- Bionic.Systems.Interfacer.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Neo.Tokio.WinAll.Commercial.Font-TYPO
- Bionic.Systems.SynKro.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.IT.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.Station.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.Storm.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.Unit.WinAll.Commercial.Font-TYPO
- Bionic.Systems.Comsat.WinAll.Commercial.Font-TYPO
Fountain Fonts Collection
Fountain Fonts Collection 21 FONTS 3.8MBThis set contains:
- Fountain.Anarko.WinAll.Commercial.Font-TYPO
- Fountain.Capricorn.38.WinAll.Commercial.Font-TYPO
- Fountain.Dang.WinAll.Commercial.Font-TYPO
- Fountain.Delay.WinAll.Commercial.Font-TYPO
- Fountain.Eric.Sans.WinALL.Commercial.FontSet-SCRiPT
- Fountain.Filt.WinALL.Commercial.FontSet-SCRiPT
- Fountain.Gas.WinAll.Commercial.Font-TYPO
- Fountain.Hybrid.MAC.Commercial.Font-SERiF
- Fountain.Hybrid.WinALL.Commercial.Font-SERiF
- Fountain.Ketchupa.WinAll.Commercial.Font-TYPO
- Fountain.Lisboa.Complete.WinAll.Commercial.Font-TYPO
- Fountain.Malmo.Sans.WinALL.Commercial.FontSet-SCRiPT
- Fountain.Mini.WinAll.Commercial.Font-TYPO
- Fountain.Monolith.WinAll.Commercial.Font-TYPO
- Fountain.Monteverdi.WinAll.Commercial.Font-TYPO
- Fountain.Mustardo.WinAll.Commercial.Font-TYPO
- Fountain.Ness.WinAll.Commercial.Font-TYPO
- Fountain.Sadness.WinAll.Commercial.Font-TYPO
- Fountain.Schlager.WinAll.Commercial.Font-TYPO
- Fountain.Ultura.WinAll.Commercial.Font-TYPO
- Fountain.Zanzibar.WinAll.Commercial.Font-TYPO
OurType Fonts Collection
This set contains
OurType.Arnhem.1.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.2.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.3.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.4.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.5.WinALL.Commercial.FontSet-SCRiPT
OurType.Sansa.Family.WinALL.Commercial.FontSet-SCRiPT
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Size: 1.3MB
Product homepage
OurType.Arnhem.1.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.2.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.3.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.4.WinALL.Commercial.FontSet-SCRiPT
OurType.Arnhem.5.WinALL.Commercial.FontSet-SCRiPT
OurType.Sansa.Family.WinALL.Commercial.FontSet-SCRiPT
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Download from RapidShare
Download from Depositfiles
Size: 1.3MB
Product homepage
1/30/2007
DSType Volupia WinALL Commercial FontSet
"I started designing Volupia in 2004 and the main goal was to create a very casual font with some characteristics than we can find in some old commercial advertisements.
After designing the basic character set I decided to go OpenType because it would allow me to go deep into the script, correcting the balance of the spaces and the kerning, along with the possibility to create Ligatures and Swashes.
The result is a typeface ideal for use in very big sizes. Volupia includes Small Caps, Ligatures, Fractions, CE Characters, Swashes and Alternates. The ligatures and the ending swashes allow the user to make the text more calligraphic and personal." -Dino dos Santos (2005)
DownloadAfter designing the basic character set I decided to go OpenType because it would allow me to go deep into the script, correcting the balance of the spaces and the kerning, along with the possibility to create Ligatures and Swashes.
The result is a typeface ideal for use in very big sizes. Volupia includes Small Caps, Ligatures, Fractions, CE Characters, Swashes and Alternates. The ligatures and the ending swashes allow the user to make the text more calligraphic and personal." -Dino dos Santos (2005)
Priva Pro is available in four styles with italics. It includes Greek and Cyrillic characters, along with small caps, ligatures, alternates and swashes.
DownloadCalligraphy by Alf Becker
"Buffet Script" is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time.
The series of nameless alphabets created by Becker and published by Sign of the Times magazine in 1941 have attracted typeface digitizers for years. It's a wonder that several of these alphabets are still undigitized.
The series of nameless alphabets created by Becker and published by Sign of the Times magazine in 1941 have attracted typeface digitizers for years. It's a wonder that several of these alphabets are still undigitized.
It's also understandable that the basis for "Buffet Script" was not attempted in digital form until now. The page presenting the original Becker alphabet shows a jumble of letters running into each other, swashes intertwined. There is a massive amount of work involved in digitizing such lettering and scanning is not an option. If anyone was going to attempt this particular alphabet, it would have to be redrawn stroke by stroke, and curve by curve.
The challenge was not the main attraction. In a way, the Becker approach to lettering is so far and away from digital that you are forced to work out the possibilities and letter combinations on your own. Part of the process is solving problems presented by the scant typographic showings. However, after a few imaginative visualizations, the digital potential becomes clear in the mind. The eye and hand follow.
The end result with "Buffet Script" is an enormous font with a lot of alternates and ligatures. The end result particularly shines because it includes some of the most fascinating, flowing calligraphy ever seen. Calligraphy is where all of the extra touches - such as alternates, swashes, and ligatures - raises the typeface to a higher aesthetic level.
The OpenType programming for "Buffet Script" contains discretionary ligatures, stylistic and contextual alternates, all interacting with each other to allow the composition of just the typographic look and feel. This font is best used where lush elegance is a design requirement.
The challenge was not the main attraction. In a way, the Becker approach to lettering is so far and away from digital that you are forced to work out the possibilities and letter combinations on your own. Part of the process is solving problems presented by the scant typographic showings. However, after a few imaginative visualizations, the digital potential becomes clear in the mind. The eye and hand follow.
The end result with "Buffet Script" is an enormous font with a lot of alternates and ligatures. The end result particularly shines because it includes some of the most fascinating, flowing calligraphy ever seen. Calligraphy is where all of the extra touches - such as alternates, swashes, and ligatures - raises the typeface to a higher aesthetic level.
The OpenType programming for "Buffet Script" contains discretionary ligatures, stylistic and contextual alternates, all interacting with each other to allow the composition of just the typographic look and feel. This font is best used where lush elegance is a design requirement.
About the Designer
Alejandro Paul teaches graphic design and typography at the Universidad de Buenos Aires. He has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone, and Movicom. He has walked away with awards from several design competitions and is also a typeface designer for T26. He is one of the founders of the Sudtipos project, the first Argentinean type foundry collective.
Download / Mirror1/24/2007
Fonts of The Logos of Web 2.0
List of the fonts that you get:
- VAG Rundschrift and Light (no light. sorry)
- Frankfurter Medium or Bryant Bold Alt
- Arial Rounded Bold and Bell Gothic Black
- Helvetica Rounded Bold
- FF Cocon Bold
- ITC Ronda
- avernus
- Digital Sans Medium
- Base 9 Regular SC
- ITC Bauhaus Medium
- FF Dot Matrix Two Regular (not sure if two is there)
- Neo Sans Medium
- Handel Gothic Bold
- Agency Bold
- Trade Gothic Bold
- FF Meta Bold and Book
- FF DIN Medium
- Frutiger Bold
- Frutiger Black
- Avenir Book and Medium
- Avenir Heavy
- Helvetica Bold
- Interstate Black
- Interstate Regular
- Alternate Gothic No. Two
- ITC Officina Bold
- Syntax Bold
- Hoefler Text
- Lisboa Sans
- Klavika
- Proxima Nova
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